attempts at living

to make a system out of delusions

Tag: bodies

Levi has another interesting post up that opens with a quote from Serres

The theory of simulacra [Lucretius, De Rerum Natura, Book IV] is a theory of communication: edges, envelopes, wraps, flying through object space, as objects or from transmitters to receptors. We know how these skins are shed, how these delicate carapaces become detached at transmission. And we know how, that is, at what speed, they cross the space of communication. At the end, at reception, the sensory apparatus enters into contact with this delicate film. Thus, sight, smell, hearing, and so forth, are just senses of touch. The theory of simulacra is a singular case of the general theory of flow, communication is one circulation among others, knowledge is no different than being.

Like all philosophers passionately concerned with objective reality, Lucretius was a genius of touch and not vision… Knowledge is not seeing, it is entering into contact, directly, with things [sic.]; and besides, they come to us. (

I wanted to add to this that touch is the primordial sense out of which all other senses develop. I’ve been bogged down but I hope to write something soon on this. Touch is the first sense insofar as at conception we are already touching another body. It is from this symbiotic touching that all other differentiations that will result in an organism capable of all the other senses takes place. Touch is also the primordial sense in so far as it is the case that bodies are not completely withdrawn objects. It is my contention that whatever exists is a body and that all bodies are open to all other bodies in partial and diverse ways; corporealism is transcorporealism and thus no body is ever not interpenetrated by other bodies. Bodies may not always have the cognitive mechanisms for experiential contact with other bodies such that we think of in phenomenological terms, but they do nonetheless make material contact with one another in such a way that we can call all bodies transcorporeal; they become structurally coupled, nested, and or form intermatrices that are, in turn, new bodies. This is to say, with Mereleau-Ponty, that bodies are interwoven in such a way that the flesh of one body is bound up eroto-ontologically with the flesh of other objects. In their instituting interactions bodies of a particular kind, bodies that we call organisms, make contact with one another through various senses but these senses, when actively grasped and affirmed, are nothing more than the sensibility of flesh to itself. It is for this reason that for me all senses are tactile: they are always about ways of making direct contact with other objects. Even smell, though I might be smelling the scent of some no absent flower, is a mode of direct ontological contact between me and the particles that carry that scent, mediated through all the neurophysicological and anatomic matrices that occur in between. Contact does not allow, however, the complete identification of this body with that: the lovers never really dissolve into one another. The at of contact (a term I am taking from the dance world, in the sense of “contact improvisation”) is always an act of negotiating distances and proximities.

In Levi’s post he also points out that a materialist must pay attention to what he calls the thermodynamics of communication. To pick up on this thermodynamic point, I would prefer to stress that bodies- no matter if they are human, mineral, or machine- always have a particular metabolism. This is a thought that first occured to me when I was working with people with eating disorders. Usually, in biology, metabolism refers to the life-sustaining exchanges. Yet can’t this be extended to non-living bodies as well? For instance, the way that capitalist accumulation functions is to metabolise labour power through living bodies in order to generate value. Metabolism is the system of exchanges that any body uses to maintain, expand and reproduce itself. Metabolism involves the bringing into a complex system elements outside of it, whilst generating waste. In capitalism, from its perspective, waste is generated as unnecessary abundance (through the maintenance of artificial material scarcity) and in the production of superfluous bodies and subjectivities: the homeless, the unemployed, the illegal person and so on.

Just quick thoughts for the night before I turn in. Night all.

Time (without monads)

Levi has a great post up, coming of the back of a series, on the nature of object/machines as experentialities, or monads. The point of this quick post isn’t to delve into the details of his MOO/OOO argument but to focus on the issue of the production and struggle over/in temporalities.

One of the interesting things for me remains the way in which some of these arguments are oddball to philosophy but perfectly commonsensical in other disciplines. The ideas of temporal capture and calorific depletion, for instance, are issues that psychiatry deals with on a daily basis. This isn’t to suggest any banality to Levi’s points, it is more about pointing out just how far philosophy has crawled into the epistemic sovereignty of idealism that it must constantly be pointed out that bodies exist and that different bodies experience different worlds.

In psychiatry, this is also an essential point given that its main order of business is a set of pragmatic approaches to alien phenomenologies that exist among human beings; the entire range of psychotic experience being nothing less than the production of a new world from fairly minor material structuring (and this, quite obviously, also produces entirely “deranged” psychotic spatio-temporalities). In the extreme, and at the most basic, perrturbations in neural arrangement and functioning can lead to a loss of sensation of agency and identity with the body in some humans, and this leads onto the recomposition of the cognitive and perceptual domains via interoception and empathic responsiveness, and also in the motor-agential coupling to environments that no longer present the same affordances.

Levi, I wonder then if your OOO doesn’t begin to couple itself to Franco Berardi’s heavily Virilio inspired account of organic time and cyber time. We are the organism that rends itself between a finite, boldily time (or objectile/machinic temporality if you prefer) and an infinite, accelerative cyberinfomation temporality. This infinitely fast digital temporality outpaces our own neuronal and, therefore, cognitive ability to generate temporalities, and so to process events in time. The one temporality outraces the other, and it is within both of these temporalities that we are captured. For Bifo this can lead to exhaustion (or fatigue) of a nature that isn’t the result of physical material labouring but simply of living in a mediatised social ecology.

For me, the essential part of this post is the consideration that

‘If I am doing one thing, I can’t do another thing. If I am attending to this or that bit of information, I am not attending to other bits of information. If my working day is so saturated by labor that all my calories are eaten up, I’m left without energy for revolt’.

As Levi suggests, these materio-pheneomenological effects of chrono-political acceleration and the attentional economy mean that power operates at the physiological and neurological level (in a sense, RS Bakker’s neuropath would just be a direct intensification of processes that are ongoing), Such is to take Foucault notion of an ‘anatomy of power’ and to literalise it; power is anatomical, physiological, and neurological.It is also to finally be done with the need to ideological theories based on false consciousness. This isn’t to say that educative work is no longer a political consideration but to assert that theories that take the consciousness of the latent proletariat (as a class for itself) to be ideologically mystified are themselves mystifications of a much simpler, and therefore much more pervasive, problem. We live in time. If a worker lacks a good understanding of capitalism, if she votes for a right wing populist party (such as has just happened in the UK with UKIP making considerable gains in recent council elections) then this is not because she is stupid and not because the plutocratic class has manipulated her mind by inserting an ideological (ie: epistemic) veil between the real world and some delusional one I

If a worker spends 8 hours of her day at work, operating in two temporalities via her body and her immersion in a disembodying digital temporality, and must suffer the chronic overstimulation of her evolved attentional capacities, thereby generating a near permanent level of chronic anxiety, while not eating properly (lack of time; disordered eating- which is not necessarily identifical with an eating disorder but pervades our society; not enough/ not good enough sleep; tending to children, an aging parent or other dependents) then it is no wonder that she doesn’t have a good understanding of the political and economic condition of her age. There is no time for it! Chronic overstimulation and undernutrition mean her brain is burned out, exhausted, and she must get to bed rather than crack open a copy of Capital or Hatred of Democracy,

No wonder then that a populist party can come along, mouth some half formed crap that captures her resentments, her exhaustions, speaking sympathetically with “hard working people”, and aping her frustration with an oligarchic class (to which they of course belong) that seems to only ever ask that more be taken from her, that what little defences she has in place be taken from her. The easy answers of the right and of right wing populism don’t come as ideological mystification: they come as readily processable, emotional (and therefore not deliberative, which depends of calorie expenditure, time, space, patience) messages that simply point to group x, y, or z to be scapegoated and easy promises rendered. The political classes declare that party x has no credible policies, that its victories are merely a lodging of protest on the part of the electorate, and thereby entirely miss the point.

The point of this is simply to say that politics, whatever your politics are, must start from the body and not from some realm that follows after the body. If there are delusional structures of belief operating in the world (ideologies, if you like) then it is important to realise that ideologies begin with the flesh; to think anything else is to think in a disembodied way that is itself typical of the destructive delusions of our age. It is to reassert, with Marx, that time is the dimension of existence and of struggles and to recall that time is the temporalities of bodies that are always also spatialities. If there is a question of delusion then it is a question, as psychiatry repeatedly tells, of material delusions, the materiality of delusions. It is also to recognise, as any mental health workers ought to know, that challenging delusions (“speaking truth to power”) does nothing to shake the phenomena of delusional conviction. Delusions are, by definition, not amenable to rational challenging; to tell the deluded that their belief is mistaken, a cognitive mystification, a poor translation of the corporeal realm, is akin to telling a contemporary Westerner that gravity is all wrong, that light is made of turnips, or that they aren’t really people but highly camouflaged woodlice. If you did these thing you’d be met with a bemused and possibly offended audience.

Recent movements like Occupy have attempted to occupy space and to arrest the capture of bodies into a specific regime of spatio-temporalisation; that of production, of capitalist accumulation and the self-valorisation of capital. Occupy was the production of a political zone of deceleration, an oppositional temporality that carved out a kind of temporary autonomous rhythm inside the accelerative rhythm of a manic late capitalism. Calls have been made in the UK and across Europe for a general strike, the ultimate weaponsation of economic temporalities that lay in the hands of the working bodies/the body of workers. One of the watchwords of contemporary capitalism for all workers is time management. As ever, the anarchic question must be posed, again and again: who has the right to manage?


At the moment there is a series of events taking place in London on the subject of immaterial labour that I would be at if I still lived in London; or could afford to get to there. They have a series of texts to read for those of us who can’t be there. At any rate, I just wanted to point that the concept of immaterial labour, derided and championed in equal measure, ought really to be called the production of the immaterial. What exactly is immaterial about sitting in an office? Isn’t that an architectural, material, organisational theory, arrangement of various materials, various bodies, in space and time so as to concentrate labour power, put labourers at ease (depending on your office), have a particular arrangement of this body to that one. Isn’t the office cognitarian hooked up to his computer in sensorimotor action-perception coupling? Isn’t that computer material, the product of a material production processes, and isn’t the luminosity of the data being toyed with materially supported by the electronics that recede from us, behind the GUI and the sleek coloured packaging of the desktop or the tablet or what have you. My point in this very brief post isn’t to suggest, yet again, that immaterial labour is a pointless concept (as a mental health nurse, a job that is very material but also primarily affective, I identify as an immaterial labourer as much as a material one), or to suggest that because immaterial labour involves materiality we should throw it away. I am not so stupid as to think that immaterial labour is absolutely immaterial, and nor are the people who theorise around both the immateriality of labour processes and economy. I just want, for my own sanity, to reiterate the materiality of immaterial labour and, in the reverse, the immateriality of material labour processes. In the first instance we can speak of brains, bodies, buildings, photocopiers, computers, and so on. In the second instance, we can speak of the implicit and explicit forms of knowledge that partake in the arrangement of forms or epoches of labour. As Mario Lazzarato puts it:

If production today is directly the production of a social relation, then the ‘raw material’ of immaterial labour is subjectivity and the ‘ideological’ environment in which subjectivity lives and reproduces. The production of subjectivity ceases to be only an instrument of social control (for the production of mercantile relationships) and becomes directly productive, because the goal of our post industrial society is to construct the consumer/communicator – and to construct it as ‘active’. Immaterial workers (those who work in advertising, fashion, marketing, television, cybernetics, and so forth) satisfy a demand by the consumer and at the same time establish that demand

From within such a perspective, we must remember that subjectivity is impossible without bodies, and that the construction of subjectivities like “the consumer” can’t take place without the manipulation of the material attentional economy. Most of Lazzarato’s examples of the post-industrial industries of subjectivity are precisely those forms that I have discussed as performing physiological interventions in the attempt to (hyper)activate and control the central nervous system in order to marshal it into, and out of its own, attentional economy. These are profoundly biomaterial processes and have as much to do with material logistics and the organisation of urban space, as they do with data, the Cloud, augmented reality, and finance.

There is a reason that the enemy in the film The Matrix is a robot. It is not just a repetition of a technophobic psychic luddism, yet another re-imagining of the robot-servant becoming the master (Terminator), but points directly to the needs for a total immaterialism to be supported by a totally inorganic materiality. In order for us to live in our “augmented real” we have to let the “machines” disappear, to recede, to become opaque to our gaze. The point is, in the end, that the humans in the Matrix need the robots to sustain their illusion of everyday life. This is not just to agree with Zizek on the nature ideology; it is to state, quite baldly, that the production of subjectivities for the valorisation of capital, immaterial production, is also the production of an increasingly an experientially dis-embodied society. The machines and men form one flesh which is disavowed. It is in this sense that we can speak about a schizo-economy, a stereo-reality, and of a need for schizo-analysis. This might also provide an insight into Franco “Bifo” Berardi’s quixotic formulation that the ‘general intellect is in search of a body’.

Further notes on becoming-noncorporeal

Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism– H.P Lovecraft, The Tomb.


For Deleuze becoming-animal is also the becoming of a ‘zone of the indiscernible, of the undecidable, between man and animal’ [1]. This undecidability means that one cannot isolate and fix the separation between man and animal. The spectator, who might be the living reversal of the image subject to such spectatorship, is unable to separate the low from the high, the dirty from the clean, the brute from the humane, the instinctive from the rational. In becoming-animal all dualism that extracts the human from the animal or subtracts the animal from the human collapses whilst remaining in fraught operation. I cannot say that I am this or that; I am both and neither, the point at which I cannot speak through the logic of identification. This undoing of molar surfaces is the undoing of the engine of meaning-production [2] that Giorgio Agamben has termed the anthropocentric machine [3].


The anthropocentric machines carves out human from animal and as such serves as the motor for those political philosophies that seek to delineate regimes of humanity. A regime of humanity is at once this system of meaning-production, or anchoring* in Zapffe’s nihilistic formula, that separates man from his other and elevates him ‘above nature’ and is also what allows for the creation of an aesthetic regime of degrees of humanity. As such the Jew is conceivable as nonhuman animal, the woman is conceivable as something to be tamed and domesticated- turning her wild sexuality into the regulated affection of the pet-, and the slave before both is conceivable as just within humanity. This anthropocentric machine is properly engine of meaning-production that gives humans the sense that they are other than nature and which serves as a self-reproducing system of domination that paints itself as nondomination. Anarchism responds to the effects of this system without always having the balls to attack it’s basis. For the mythological ‘classical anarchist’ this wasn’t a problem because the world had not yet been revealed as catastrophic.


Becoming-noncorporeal operates based on an engine of meaning-production that takes the body as it’s site of operation. As Deleuze writes ‘The body is the Figure, or rather the material of the Figure’ which must not be conflated with the ‘material structure in space’. For Deleuze the body is not reducible to the biological matter of physiology and anatomy. The body remains material without suffering from this reduction. How? Elsewhere Deleuze is engaged in a discussion on the body in Spinoza when he remarks that the latter’s God, which is a substance to which all attributes belong (a pure virtuality of which all actualisation is an expression), is ‘the speculative figure of immanence’ [4]. If the body is not identical or reducible to biological matter but remains material then this materiality is the materiality of the virtual.The actual body that we talk about when we talk about embodiment, about corporeality, about conditions of health and sickness, is dependent upon but never coincides with the virtual body. Zizek understands this as the ‘incorporeal/immaterial’ real of the body but this does Deleuze a disservice [5].


The materialism here is the materialism of affect, of affection, of the virtual’s potency to condition, to alter, to perturb, to disrupt, to delimit or delineate the actual in any number of given ways. Deleuze goes on to state that For Spinoza ‘the individuality of a body is defined by the following: it’s when a certain composite or complex relation (I insist on that point, quite composite, very complex) of movement and rest is preserved through all the changes which affect the parts of the body ‘ [6]. A body then is virtual and all actualisations of this virtual are expressions of the that virtual. A body also only appears through relations of movement and rest- we might say of being moved and of resisting being moved- by other bodies**. There are ‘all sorts of relations which will be combined with one another to form an individuality of such and such degree’ so that ‘the body’ is not the material structure at all but the Figure. How to understand the Figure? As the combinatory relations that solidify into distinct objects that can then appear to the spectator. As such it is not an immaterialism but an immanent materialism under which organisation is the self-organising performances of the engines of matter. The human body of anatomy and physiology is the actualised dynamic encrustation of the powers of the virtual body to act and be acted upon. The Figure is the name of this virtual-actualising body that differs from itself without being separable from itself (no physicalism without virtuality). This is what I mean by the skin of the world; it is an encrustation, a dead form, that is nonetheless dynamic and constantly in performance.


The materialism of the virtual implies a virtuosity of the body. To return to the sense of the lived body of embodiment- the dancing body, the fucking body, the eating body- this tells us that what a body does is to constantly make itself actual in such and such a way. The Figure is constantly Structuring. From moment to moment the substance of my body only continues to exist due to the immanent performances of each degree of individuality. This is revealed in the body of the clown. The clown’s is that body which purposely refuses its own virtuosity- it is the body in deliberate failure to perform and constantly catching itself before that refusal becomes total. The dancer also perfectly puts in motion this virtuosity; the dancer’s relation to choreographic space is always one that is modified, adapted and corrupted by degrees of physical inability to perform such and such a motion just so but also by way of her body’s idiosyncrasies and her own improvised insertions. Choreographed space becomes corrupted space and the priority given to one over the other is no longer maintained. At the same time the hierarchy of the choreographer, the choreography and the choreographed (the dancer) breaks down into a ‘zone of the indiscernible, of the undecidable, between’ the dancing and the danced. Becoming-dancer and becoming-clown are modes of immanence being put on display, and of the strategic assembling and disassembling, of positions in space and spaces in position of being obviated. The dancer and the clown are privileged Figures for me. I watch them move and I watch the entire skin of the world; the surface that is its own depth.


In social media the body is lost. The temptation is to experience the body as lost. The hyppereality of social media obliterates the body leaving nothing behind. The body as structure, as organisation of organs, is what is lost in this. The hyperreal of social media stimulates the production of a hyperreal identity- an identity that increasingly comes to precede my IRL identity and which does not rely on my IRL identity for its truth. This is the point of critiques of social media activism, of critiques of social media as digital dividuation, as the disorienting proliferation of plastic identities, of ‘trolling’ and of the use of the use of social media as a predictor of human political behaviours. All of these phenomena, really epiphenomena of the internet itself, are coming to be seen as the real of our society. It forms the core of critiques of media technology such as those launched by Sherry Tuckle that are based on a dualism between the physical universe and the digital universe. As Tuckle has it

‘texting and e-mail and posting let us present the self we want to be. This means we can edit. And if we wish to, we can delete. Or retouch: the voice, the flesh, the face, the body. Not too much, not too little — just right. [7]

Tuckle’s major text, Alone Together, has a string of dualist claims. She states that “If Facebook were deleted, I’d be deleted…’ and ‘Second Life gives me a better relationship that I have in real life’. These two short quotes show that Tuckle is involved in another dualist machine such that Deleuze’s becoming-animal wanted to undo. This is a dualism for which facebook deletes the body, edits the flesh, in which Second Life- the online world- is literally a second life detached from the physical realm. There is the physical and the digital and while they may interact they are fundamentally different. Indeed, the thrust of Tuckle’s criticisms of media technology is that the digital and the physical are incompatible, antagonistic towards each other, and that they compete against each other for us- (why they would do this and where the agency comes from, I don’t know).


Tuckle thinks I edit myself online. That this online persona is an obliteration of my authentic fleshly self. I am nothing but body but that body is gone and all that remains is the simulation of a self on the shimmering desolate whiteness of the screen. The body edited, deleted, I am nothing. But this is to fundamentally miss the point of the ontological virtuosity of immanence. As I have hopefully shown to some degree of competence, the body is not identical to its physical organisation. Materiality does not depend on flesh and blood and if it did then anything that was not subject to the law of evolution, any nonorganic matter, would not be real. If this seems a hyperbolic claim and one that is unfair to Tuckle then let me illustrate further. If her problem is that I can edit my appearance online then she misses the point that I can edit my appearance in flesh and blood as well, and in more or less extreme forms; I can have my haircut, change my style, tattoo permanent cosmetic improvements onto my face, I can ‘delete’ parts of my body through extreme elective surgical procedures or other interventions, such as the incredibly common removal of fatty tissue. I can also add to myself, making myself excessive of my ‘authentic self’ and therefore destroying myself in the opposite direction. All that Turkle has discovered is that there is a good degree of negotiation surrounding identity and that such identity appears as the metastable resultant of a combinatory logic of identification and disidentification (of movement and rest) that makes identities more or less malleable, more or less fixed, more or less corrupt, multiple or singular. Indeed, Turkle has discovered that we engage in interpersonal strategies through which we perform our personhood through both our bodies and our ability to present ourselves in digital spaces. There are practices of the self which are practices of embodiment and those which do not seem to be practices of embodiment.


This kind of digital dualism is hung up on the moment where practices ‘do not seem to be’ those of embodiment. This seeming is the seeming of the separation between the physical and the digital. It is the distribution of the sensible of the new social that social media are generative of; the spectral electronic social that disavows and dreams of a liberation from matter. Turkle’s analysis is in fact part of this social insofar as it is part of this dream: it is the dream in its wish-fulfilment function. The social of noncorporeality. [8].


The practices of the body that do not seem to be of the body are nevertheless only playing at not being of the body. I mean this in both the sense of the being of the virtual body and the actualisation of that body as it is experienced as embodiment. First of all, the body is affected by and affects the digital. The digital sphere is not one in which I am passively caught up as a victim and it is not one in which we are necessarily ‘alone together’. Banal examples proliferate: last night I was at a birthday party that had been organised entirely through Facebook, I met new people I would not have otherwise met because of the digital. In my previous post I focussed on agitation. The problem that Turkle talks about when she talks about techniques of communication having supplanted the art of conversation (the eternal conservatism of this is ringing) is really that of a diminution of social relations. This can only be a problem for Turkle if the techniques of communication and the art of conversation, the former belonging to the digital and that latter to the physical, are mediations of some plane of immanence. To phrase this differently, there can only arise a concern that two modes of interaction that exist on two separate and separable ontological domains are relating with each other in such a way that one does harm to the other if they are not finally separate or separable at all. The digital dualist’s critique can only make sense if it fails to make sense.

Another example: my eye. Deleuze uses the eye as an example of a body in his lecture on Spinoza and states that the eye is a born out of the complex relations between it’s own parts and the parts of other objects that surround it, which it is affected by and which it in turn affects. The eye is set in the orbit which is a structural feature of the skull which sits on top of a spine which forms a part of a skeletal and nervous system that are protected and moved by a muscular system which is coated by a dermal system which is a threshold traversed by bacteria, food, air, blood, itself, and that touches and is touched, and that sits in front of a computer which is itself a body formed microchips, plastic molds, wires, nickle atoms, light and so on and so on. In order that my eye see the computer there must be a light source- thus the sun or some artificial means of lighting are brought into the equation of my sitting on Facebook or Twitter and being able to be disembodied. But my eye also relies on other eyes for its existence. My eye is not ex nihilo but is the eye I have inherited from the genetic information of my parents and all less immediate evolutionary ancestors. The computer had to be built by men and women in factories and laboratories, which had to be built with tools and by people who had received training, and the computers themselves had to be built with tools and by people who had to be trained in how to do build computers and so that I could post this post on my WordPress blog there has to be telephone lines and streets and engineers and and and and and and

a vast material network of bodies.


This is the what I am saying when I say that the social of social media is ‘the spectral obliteration of materiality through the simulacrum which leaves the material in place’ [9]. The ontosclerosis of the social generated by social media is one in which we leave the body without leaving the body behind; a disembodied embodiment. Noncorporeality is never achieved. It is neither a utopian nor dystopian condition although it has the potential to be either of these. Noncorporeality is neither actual nor virtual but the demand that we shed our physicality and dive headlong into the digital. It is the demand that we do something impossible. Yet it is at the same time precisely what exposes and undoes the digilogical machine. Becoming-noncorporeal is a becoming precisely because it is a zone of indistinction, undecidability. It is also a becoming because it is this impossibility of its own completion.


All this points to the notion that bodies have always been products of simulation. The simulacrum never engaged in any procession but was always already. Bodies, objects; these are always already simulations.

As soon as behavior is focused on certain operational screens or terminals, the rest appears only as some vast, useless body, which has been both abandoned and condemned. The real itself appears as a large, futile body [10]’.

And bodies, or their actualised portions, are these operational screens and terminals. The inexhaustibleness of bodies and, for humans, the potentially inexhaustible ways of being a body means nothing. The nostalgia for the body which has has not been lost, the nostalgia for a unitary solely physical body belies the nostalgia for the soul. It is not the body that is in question in becoming-noncorporeal if the question is a loss of materiality. I have emphasised throughout that this loss of the material, this destruction of the real, is an effort that is incomplete and impossible. That every time we deny the real that is precisely when it is resurgent; this is what makes radical denial a strategy of realism, and why one can state as fact that reality itself is speculative [11].


The real is a large and futile body. This is a nihilistic truth. That the body/real is futile means that it is without purpose, without telos, without justification. This is perfectly in keeping with a naturalism that takes Darwin seriously. There is no point or purpose to anything in nature and nature, via selection, mutation, heredity and all its other materialist magic tricks, has always been a process of artifice, of recomposition, of experimentation, of the production of doubles without origins, the generation of bodies that are not copies of some original: that nature has always been simulation. If being a body means nothing then the Spinozo-Deleuzian question of what a body can do becomes the question of a post-nihilistic pragmatism***. It is not what bodies mean but what they do that concerns us. In the breakdown of the anthropological machine, the digilogical machine and all the other machines of meaning-production we are left with transparent meanings that although real have lost the sufficiency to motivate us. Meaning now suffers a failure. We built it up and it was there but now that we know that we built it it appears as a ruin. The body itself, our body, can no longer be identified and held in place by being fixed in an image of itself… not its physical image or its digital one.


There are massive problems with social media, with electronic culture being plugged into our nervous systems…it produces anxieties, agitation, unrest, insomnia, an inability to concentrate, a kind of traumatisation and so on… but these are problems of immanence and not dualism. They are problems of ‘the advent of hyperstimulated man’ [12], changes in speed and quantity rather than ontological quality of being. They are problems that can only be problems, dangers that can only be dangerous, if the physical and the digital are not antagonistic categories of being that we must choose between. The choice is not between brains and clouds but to see where brains are situated within clouds. This is not the place to go into those problems or to trace the braincloud machinery.


In all of this there are competing images of the body and of embodiment. The image is what fixes the body in place. Ontology is an aesthetics; actualisations are the surfaces of a depth; the skin of the world; the self-organised displays of matter. Becoming-noncorporeal is indifferent to binary distinctions and forces us to think of a spectral kind of embodiment and the possibility of such a disembodiment that we might adopt instead of react against. If becoming-noncorporeal obliterates materiality and leaves it in place, if it is a simulation that teaches us that everything is simulated, then it is also an invitation to address the Image afresh. What is at stake in these notes on becoming-noncorporeal is the body and its images; the withdrawn depths and the ways we access those depths. What is at stake is the prospect of leaving the mirror stage behind us without mourning the unitary body and finding instead that we have always been bodies without images capable of life after and inside of the catastrophe.


Dancers and clowns are of the debris of the catastrophe, the seducers and satirists of things falling apart- artists in love with catastrophe. The body without image represents only that there is nothing to represent, that the only ethic is one falling, faltering, tumbling.

References and apologies

[1]. Deleuze, G. The body, the meat, the spirit: becoming animal. Here.

[2]. Meaning-production is my own term. I discuss it here, here, and here.

[3]. Agemben, G. 2004. The open. Man and animal. Stanford: Stanford University Press.

[4]. Deleuze, G. On Spinoza. Here.

[5]. Zizek, S. 2007. Deleuze’s Platonism: ideas as real. Here.

[6] Op. cit. Deleuze, G. On Spinoza.

[7]. Turkle, S. 2012. The flight from conversation. In the New York Times. Here.

[8]. See my notes on becoming-noncorporeal. Here. The current work forms a second part to this set of much shorter notes.

[9]. Ibid.

[10]. Baudrillard, J. 1983. The ecstasy of communication. NonPDF. PDF.

[11]. This is my idea of the Radical Denial which is taken from a more sustained engagement with Baudrillard and object-oriented philosophy. Essay 1. Essay 2. Aphorism.

[12]. Virilio, P. Future war: a discussion with Paul Virilio. Here.

* Anchoring is the “fixation of points within, or construction of walls around, the liquid fray of consciousness”. The anchoring mechanism provides individuals with a value or an ideal that allows them to focus their attentions in a consistent manner. Zapffe also applied the anchoring principle to society, and stated “God, the Church, the State, morality, fate, the laws of life, the people, the future” are all examples of collective primary anchoring firmaments. (text taken from wikipedia).

** In this connection, it is a shame that the dromology of Paul Virilio isn’t read in an ontological light. Deleuze is framing his assemblage theory materialism as a materialism of movement and rest that is dispersed, as all Deleuze’s antibinaries are, on planes of intensity. The language for measuring these intensities that exist in the interstitial space between movement and rest is speed or temporality. It should be recalled that Deleuze and Guattari’s identification of deterritorialisation is inspired by Virilio’s use of the same term.

*** I owe Michael of ArchiveFire entirely for this phrase which I liked so much I’ve stolen it.

Notes on becoming-noncorporeal

Today abstraction is no longer that of the map, the double, the mirror, or the concept. Simulation is no longer that of a territory, a referential being, or a substance. It is the generation by models of a real without origin or reality: a hyperreal.

The concept of society is transforming. The social, endlessly mourned by postmodernism, is becoming the product of a work of generation, of electronic ghostly simulation. Society, that super-subject nonsense that has never existed, returns again, but this iteration marks the redistribution of sensible differences into commensurable units of code. Online, the sociologist’s dream is manifest in digital vibrancy. It is a dream the sociologist didn’t know he was dreaming, that he denied dreaming, and that his theories and models were trying to express. The latency of what was manifest is now come to pass: the spectral obliteration of materiality through the simulacrum which leaves the material in place [2].

Yet social researchers are dazzled by the data logged by social media sites and are apparently eager to use that information as uncomplicated proxies for social choices in general. At this point, enough people have made Facebook use a part of their everyday life that social researchers are treating Facebook as an empirical model of society itself.


What could we call such a tendency? The only term adequate is ‘trend’. We are speaking the language of social media- the prism through which the social is compositionally refracted. As organisms we pass into the new media, our nervous systems extending into that placeless time in denial of physicalist certainty, and are agitated. Agitation today comes to be more than the distressing or nonfunctional arousal of the nervous system by the environment and is no longer always simply treatable by mantras, by the breath, or by psychopharmacology. Today agitation is the agitation of Exhaustion, that sense of spent possibility that forms the mood of the time after the future wherein we realise that we never had any such future. Agitation is the psychoaffective outcome of being unable to unplug from this new social space, and of the ceaselessness of prompts to speak, to declare, to choose. The problem with this new social that eclipses the material is that it is infinitely refracting, plastic, without necessarily fixed axes: to speak of the space of social media is to illegitimately delimit its multiple indifferentiations.

This new social, the newness of which we have to continually stress to keep in place, isn’t just about technology directly inserting itself into our neurotransmission system. The novelty isn’t novel, we have always externalised our minds and we have always existed by prosthesis, the cyborg-image is as old as an ape using a nut as a hammer. The point is rather that this agitation is the result of the proliferation of multiplications of injunctions to participation that first of all demand that we participate in nonactual space. The new social produces agitation because it is this rampant nonactuality. This nonactuality is not identical to a virtuality. The claim isn’t that the social of social media is composing a society that is withdrawn from itself and the operants that condition it as this would only be to claim that the essence of the object ‘society’ does not exhaust itself in its becoming manifest. Instead, the claim is that nonactuality is neither actual nor virtual but exists as a kind of tidal movement between the two. Nonactuality is the non-physicality of the code made into an objective system of space and time that occupies and is occupied by the physical system of the object body. Otherwise put, every demand of the new social that is generated by social media and media sociology is always already a demand that we participate in something genuinely impossible: incorporeality. It is a pathological becoming-incorporeal; of becoming a body without a body by way of the acceleration of those organic systems that are stimulated when a prosumer of social media sits in front of their screen and subjects themselves to Facebook, Twitter, WordPress.

The new social, the hyperreal social, is a side-step of materiality that confirms what it disavows and retains under the effort of its obliteration. The new social is also a distribution of the insensible, in the sense of the flattened and blunted affect of the overexposed patient (for example, the depressive who loses the potency of the body; the restrictive anorexic who recodifies and/or loses the social materiality of space and relation; a whole ontosclerotic regime. Urge upon urge upon urge upon urge. ‘Desire’; ‘Take part’; this is the democracy of depleted serotonin and oversaturated dopaminergic receptor sites. A million clear and cogent signals are sent into the semiotic ecology becoming lost among one another, becoming indecipherable white noise.

We are inside a pathological ‘relation between statements and the incorporeal transformation or noncorporeal attributes they express’ [4]. Deleuze and Guattari meant something like performative speech acts wherein words affect bodies to alter the state space that those bodies occupy. I pronounce you man and wife does something to the man and woman. What happens when the man and woman are abandoned, when all that is left is the noncoporeal attributes? Exhausted at the end of the future, always in the heart of the catastrophe and anticipating its completion, we even begin to shed our bodies. The prophets of the technological singularity have always missed the point; one doesn’t need to flee the body to leave it behind. Social media is disembodied and without a future, it’s only future being the impossible instant that the body can’t cope with, that it can never manage to keep apace with. ‘We have been cheated out of the future, yet the future’s ruins lie about us, hidden or ostentatiously rotting’ [5].

Inside of becoming-noncorporeal there can be no memories of the near future and there can be no history, only the consensual linearity of a time-line. Becoming-noncoporeals don’t regret but ceaselessly construct,reconstruct and edit an autobiography that can never articulate what language can’t grasp, what language skirts around and illuminates only by dint of revealing shadows. And all these dreams of liberations. The dream of a liberation from matter that can be enacted by means of matter; the dream of a liberation from the social being enacted by an intensification of a perverse sociality; the dream of a liberation from unitary personhood only being enacted by an intense scrutiny of the self’s narratives. Soon a nostalgia will doubtless appear, and it will have the body as it’s object.

[1]. Baurillard, J. The procession of simulacra. Here.

[2]. For example see: Hart, W. 2011. Mind, self, facbook: towards a postmodern sociology. Here.

[3]. Horning, R. 2012. Facebook as experiment. Here. [Note the connection of facebook as an experiment in social form and various anarchist and Marxist ideas of praxis as experimentalism].

[4]. Deleuze, Gilles and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 1987.

[5]. Hatherly, O. 2009. Militant Modernism.. London; Zero Books. Pg. 2.

Get weirder

Article by the object-oriented philosopher, author of Unit Operations and ALien Phenomenology, Ian Bogost on something called the new aesthetic.

This part is especially relevant to my interests:

In one of many nonplussed responses to the New Aesthetic’s newfound status as meme, the interaction designer Natalia Buckley observes that, “we already live in the reality where digital and physical are beginning to blend.” But whether one is pro- or contra-New Aesthetic, isn’t it bizarre to think that digital and physical are necessary or even logical spheres into which to split the universe? Is this not just another repeat of the nature/culture divide that has haunted all of modernity?

Read in full here.


We meet in town. She is reading the book I left in her house and looks engrossed, her glasses reflecting the gentle dull grey of the clouded sky outside. She looks beautiful there. I approach. Video art: the architecture of faces as enmeshed in the architecture of the megopolis, the non-place that spans the permeability of the blurring zones- airports, hotels, identical corridors connecting identical rooms. We’re sitting on the floor. She is as engrossed as I was a moment before I broke away to steal a look at her body arching back, her hands pressing into a black carpet behind her in keeping her upright. She is beautiful. And wandering around photographs of Pripyat, a place I have longed to see in reality, a non-place I have written about as desolate but flooded with faith (is it so easy to confuse faith and radiation?). She is beautiful. I hold her in the dark of the viewing room. Then coffee and talking about art. Then back to mine and all bodies contorting and eyes pulling one into the other and the moans and wet sounds of pleasure- the noises that form the truest communication. And sitting on the bed she tells me ‘I really like you’; and sitting on the bed I tell her ‘I really like you’. She has been gone for 20 minutes give or take but tonight I will see her again. The smell of her lingers in the room. I inhale deeply.